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İSTİKLAL AVENUE

Stretching from Taksim Square to the Tunnel (Tünel) area, İstiklal Avenue is 1400 m in length. Its midpoint is considered to be Galatasaray Square, where the “50th Anniversary of the Republic” monument is located. An area closed to traffic since 1990, the avenue is crowded at almost all hours of the day and remains vibrant despite its changing profile. Currently home to many clothing stores, restaurants, cafés, banks, consulates and cultural venues, the avenue has undergone serious transformations over the years.

Its name prior to 1927 was “Cadde-i Kebir” (i.e. “Grand Avenue”) in Ottoman Turkish, and “Grand Rue de Pera”, meaning the main road of Pera, in French. “Pera” is the Greek word for “the other side”, “across” or “beyond”. It took on this name for being located across the Golden Horn, on the other side of the historic peninsula. “Beyoğlu” (literally, “Son of the Lord”), which is the name used by Turks, most probably comes from the fact that in the time of Sultan Suleiman, Gritti, son of the Venetian ambassador, had a mansion in this area full of orchards and vineyards.

A Byzantine neighbourhood, Pera gained its historic importance as a Genoese colony. Starting from the 14th century it became the point of Eastern passage for the Western Mediterranean and remained as such after the city fell into Ottoman hands. The Ottomans relocated a couple of Latin Catholic churches within the city walls to Pera, and, as diplomatic relationships with Western states developed, gave them land here to establish consulates. Business places, religious and educational institutions, and more were constructed in the vicinity of these consulates, and as the West strengthened its position following the industrial revolution, Pera became the point of entry for goods – and, in fact, customs – coming in from the West. Pera – Beyoğlu, that is – was at the heart of innovations brought by the Imperial Edict of Reorganization (Tanzimat Fermanı -1839), and of the increasing influence of non-Muslims and Westerners in general within Ottoman society. Grand Rue de Pera was, therefore, the most “Western” face of the empire both architecturally and demographically, and in terms of lifestyle. Two great fires in the district in 1830 and 1871 resulted in the destruction of more than 3 thousand structures, giving the newly rich an opportunity to have fancy mansions built.

The avenue experienced its heyday in the first thirty years of the Republic. Filling up with restaurants, patisseries, cafés, theaters, cinema halls and hotels, it became the symbol of modernization and Westernization. Then, the avenue’s “European” and cosmopolitan character began to suffer due to the government’s intensifying anti-minority policies in the wake of World War II, the pogrom of 6-7 September 1955, and rising tensions between Turks and Greeks in Cyprus. As internal migration increased and the newly arriving poor settled in abandoned buildings in this area, İstiklal Avenue came to be associated with poverty, crime, drugs and prostitution. Pedestrianized and closed to vehicular traffic in 1990, the avenue began gentrifying once more as the tram operating between Taksim and Tünel (Tunnel) until 1961 was brought back into service, as well as with the influence of artists taking up residence in the neighbourhoods of Asmalı Mescit, Galata and Cihangir. This gave rise to its revitalization, and entertainment venues, cafés, restaurants and boutiques sprouted up all over again. With a combination of this dynamism, the heavy migrant population in its environs and urban poverty, İstiklal Avenue took on a unique and distinctively heterogeneous identity of its own.

Impacted by global urbanization processes in Istanbul, İstiklal Avenue underwent yet another spatial transformation in the 2000s. This area, seeing almost 2 million people daily, attracted domestic and foreign real estate investments. Big name brands opened showcase stores and cultural centers were established with corporate sponsorship. Resulting in the closure of many shops and spaces that had become emblematic of the neighbourhood, this process brought about the rapid disintegration of the avenue’s unique, hybrid constitution. The construction of the Demirören Shopping Mall, the clearing out of the Cercle d’Orient building and demolition of the Emek Movie Theater, the forced relocation of İnci Patisserie and Robinson Crusoe bookstore, the closure of Rebul Pharmacy along with the evacuation of century-old second-hand bookseller Librairie de Péra located in Tünel square, of Kelebek Korse (corset shop) and Rumeli Inn (arcade) became the most prominent markers of the transformation taking place. The number of shops from the old days on the avenue dwindled down. AKP’s gain-oriented policies expediting the eviction of tenants over ten years, when combined with regulations restricting alcohol and bans on outdoor tables and chairs for restaurants and cafés, became one of the factors sparking the Gezi Uprising, and it was İstiklal Avenue that ended up most directly affected by all of this. As it was from the Gezi Uprising as well…

In the immediate aftermath of the Gezi Protests, the avenue retained its liveliness for a while longer and even hosted the most crowded Pride Parade of its history. Yet, later on, the government’s forceful interventions in every slightest gathering for a press declaration of the social opposition in Gezi, Taksim Square or İstiklal, immersing the area in tear gas, began deterring people from coming to these places. Frequent terror attacks – with links to the war in Syria – occurring after the Suruç Massacre of July 20, 2015, led to the further desertion of places that risked being targets such as Taksim and İstiklal, and certain businesses closed down as a result. A suicide bomb attack taking place on the avenue on the 19th of March 2016 took the lives of four people, and 39 were injured.

It was 2010 by the time Taksim Square was reopened to 1st of May celebrations, to which it had remained closed off since 1977. Even then, the AKP government only allowed May 1st to be celebrated here for three years, and the ban was re-imposed in 2013. The harsh police intervention that took place that year was among the incidents sparking the Gezi Uprising. The fact that the square and all streets leading to İstiklal are blocked off by heavily armed police officers and their vehicles on every 1st of May and the anniversaries of Gezi since 2013, and on the day of the Pride Parade as well since 2015 has seriously damaged the avenue’s identity as the site for the self-expression of the social opposition.

Terror attacks, the apparent clampdown on all kinds of opposition, and the 2016 coup attempt resulted in stopping the flow of tourists from the West to Turkey and to İstiklal Avenue as well. They were replaced by Arabs: the middle-class tourists mostly from Gulf countries, Lebanon, Iran and Iraq and the Syrian refugees serving them all came to be lumped under the general category of “Arab” by many a resident of Turkey, and for some their presence became a reason to altogether avoid Taksim and İstiklal.

The transformation of spaces so as to meet the expectations and demand of Arab tourists, the concretization of the square with its potted trees, weird-looking fountains, and crude led lighting, the obvious disregard of public interest in projects such as Demirören, Grand Pera and Narmanlı, the closing down of the Atatürk Cultural Center, the City Theater, Muammer Karaca Cultural Center, and cinemas such as Alkazar, Emek and Sinepop as well as certain long-standing entertainment spaces caused university youth and upper-middle classes hanging out in Beyoğlu to shift towards Beşiktaş and Kadıköy instead. For those attempting to overcome police barriers to take part in Pride Parades and for feminists participating in exuberant Night Marches on every 8th of March, on the other hand, İstiklal continues being the one and only address despite this destruction of its identity, accumulated experience and social memory.